Rene Denfeld’s writing is one of lyricism and comfortability. Her voice is that of your mother reading to you as you fall asleep. There is an ebb and flow to her style that is inspiring. The type of writing that when you start reading, you say, “Ah, this is what good writing sounds like.” Denfeld has mastered her voice and found interesting stories to tell.
There is much about this book that I appreciate in good storytelling. Naomi is complicated; she has an easy smile with an open demeanor, but is guarded about her past. Madison, aka Snow Girl, is young and naïve though quickly learns what it takes to survive when you are a “lost girl.” Her strongest tool is her imagination and she wields it like a master. One of the best ways to write a “villain” is to show not only their weaknesses, but also their reasoning or longing. Mr. B. has done a terrible thing but I sympathized after learning about his background.
Denfeld gave us the point of view of each of these characters. It helped to deepen the heart of the story. Naomi is literally the child finder. Obviously bad things are happening to these children before she finds them, but Denfeld doesn’t lead us on a faceless, rage filled witch hunt. There are tragic circumstances to understand behind some stories, and this story is built on a rock bed of tragedy.
Denfeld has given us a beautifully tragic tale and lightened it with a positive ending. I won’t say happy, because these characters have quite the journey ahead of them, but positive. And that is my biggest critique of the book. The continued journey of the characters sounds just as exciting as the beginning journey. The Child Finder is a slim novel that I would have loved to see more of. Maybe Denfeld will continue Naomi’s story as she continues her search for the most important child of all.
By Emily Coleman